Why does Hollywood hate the suburbs?

One of the most glaring ironies of American life is that, a quarter-century later, the cities have metamorphosed into the suburbs -- sans trees and grass. The cities' fabled diversity has devolved into global chain stores and the electrolyte-enhanced water bottle and the branded baseball cap have become the accessories of a universal comfort and conformity. In a social and cultural sea change, the cities' rented apartments, once the guarantor of diversity and fluid, exciting movement, have been converted into exclusive co-ops and condominiums. Yet as the cities have become a new type of suburb, suburb-phobia has become an ever more acceptable cultural attitude. The suburban person is considered too meek, too asphalt-challenged to inherit the earth. In the urban centers, on the other hand, desperate ambition makes bad manners respectable, and the chic of perverse taste covers up Philistine cluelessness. The decent, suburban person is regarded as contemptible because he has not learned to reach beyond his talents and pick life's pockets.

~ Lee Siegel, Why does Hollywood hate the suburbs? America's long artistic tradition of claiming spiritual death by station wagon